Guide The Intestines of the State: Youth, Violence, and Belated Histories in the Cameroon Grassfields

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Argenti contends that by evoking the imagery of past cataclysmic events, these masquerades allow young Oku men and women to address the inequities they face in their relations with elders and state authorities today.

Additional Product Features Dewey Edition. Argenti underemines linear historical narratives and suggests that the meaning of the past is literally created and revealed through dance and masking. The painstaking detail of the material and the clarity of Argenti's writing make the book and its claims highly compelling.

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No study on the Cameroon Grassfields has ever delved so deeply and with such accurate historical insight and firsthand knowledge of contemporary performative cultures as this outstanding work. A fascinating book, written with sophistication, in-depth and accurate historical and ethnographic insights that would appeal to a wider audience of scholars working on youth, state formation, memory and performance in Africa and beyond.

He passionately shows how their unsettling combination of discipline and subversion expresses horrors from the past that remain unspeakable: the abduction and sale of young men by their elders during the long centuries of the slave trade, followed by similar practices in post- colonial times.

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In his seminal treatment, the dance of the village youth effectively questions the linear history the palace tries to impose. This book offers challenging contributions to the study of dance, the indeterminacy of memory, and the actuality of the slave trade.

He vividly shows how the masks' unsettling combination of discipline and subversion expresses horrors from the past that remain unspeakable: the abduction and sale of young men and women by their eldersduring the long centuries of the slave trade, followed by similar practices in post colonial times.

In his seminal treatment, the dances of the village youth effectively question the linear history the palace tries to impose.

The Intestines of the State

This book offers challenging contributions to the study of dance, the indeterminacy of memory, and the actuality of the slave trade in Africa. The most compelling idea of this book is that it is precisely these unspoken histories of violence and slavery that have prompted a nondiscursive embodied practice--masquerading--which, Argenti argues, is itself the lived practice of remembering. Such abiding trauma finds little voice in modern, monolithic narratives of state.


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But youth are still marginal in the postcolonial present, embodying most acutely the ghosts of catastrophes past. And it is they who have taken charge of the means of counter-memory, the performances of dance and masquerade most capable of engaging the dark 'history of the unsaid. Add to Wishlist Add to Wishlist.

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Teenagers ISBNs The young people of the Cameroon Grassfields have been subject to a long history of violence and political marginalization. For centuries the main victims of the slave trade, they became prime targets for forced labor campaigns under a series of colonial rulers. Beginning his study with a political analysis of youth in the Grassfields from the eighteenth century to the present, Argenti pays special attention to the repeated violent revolts staged by young victims of political oppression.

Argenti contends that by evoking the imagery of past cataclysmic events, these masquerades allow young Oku men and women to address the inequities they face in their relations with elders and state authorities today.

‎The Intestines of the State on Apple Books

No study on the Cameroon Grassfields has ever delved so deeply and with such accurate historical insight and firsthand knowledge of contemporary performative cultures as this outstanding work. The most compelling idea of this book is that it is precisely these unspoken histories of violence and slavery that have prompted a nondiscursive embodied practice--masquerading--which, Argenti argues, is itself the lived practice of remembering.

Argenti underemines linear historical narratives and suggests that the meaning of the past is literally created and revealed through dance and masking. The painstaking detail of the material and the clarity of Argenti's writing make the book and its claims highly compelling.